Marriage of Myra Selfridge and George Selfridge
The marriage of Myra Selfridge and George Selfridge is a pivotal relationship in Morgan Robertson's novella, shaping the central conflict through Myra's rejection of John Rowland and the tragic consequences that unfold during the Titan's voyage. Their union, formed after Myra's earlier romantic involvement with Rowland, sets the stage for a narrative of loss, survival, and redemption, as the couple's child becomes the catalyst for Rowland's heroic actions and eventual reconciliation with Myra.
Identity and Background
Myra Selfridge, née Gaunt, is introduced as a sunny-haired young woman with the blue of the sea in her eyes, married to George Selfridge, a military-looking gentleman. Their marriage is revealed through Myra's agitated reaction upon encountering John Rowland aboard the Titan, where she exclaims to her husband, "John Rowland is here --- Lieutenant Rowland. I've just seen him --- he is so changed --- he tried to speak to me." George, who has never met Rowland, refers to him as "that troublesome flame of yours," indicating his awareness of Myra's past with Rowland but not its full depth. The couple's relationship is marked by George's protective and somewhat dismissive attitude, as he reassures Myra that Rowland is "harmless now" and advises her to avoid him on the broad deck.
The Marriage and Its Consequences
Myra's marriage to George is directly linked to her rejection of Rowland, which occurred after she discovered his atheism and his drinking. In her conversation with George, she recalls how Rowland "accused me of leading him on, and playing with him; and he said something about an immutable law of chance, and a governing balance of events --- that I couldn't understand, only where he said that for all the suffering we inflict on others, we receive an equal amount ourselves." This rejection, which George dismisses as "no fault of yours," drives Rowland into a downward spiral of alcoholism and social disgrace, leading him to serve as a common sailor on the Titan. The marriage thus becomes the source of Rowland's deep-seated resentment and his perceived threat to the Selfridges, as Myra fears he might "steal our Myra --- our baby."
The Shipwreck and Separation
During the Titan's collision with the iceberg, Myra and George are separated from their child, Myra. Rowland, who is on the bridge lookout, rescues the little girl and carries her onto the ice, while Myra is saved in Lifeboat No. 24. As the ship sinks, Rowland hears Myra's agonized voice crying from the bridge steps: "Myra, --- Myra, where are you? Come back." This moment underscores the tragic separation of the family, as George is lost in the disaster, and Myra is left to mourn both her husband and her missing child. The marriage is effectively dissolved by George's death, leaving Myra a widow and the sole surviving adult member of her immediate family.
Aftermath and Reconciliation
After the shipwreck, Myra is rescued and taken to New York, where she is reunited with her child through Rowland's efforts. However, the reunion is marred by misunderstanding, as Myra, influenced by her father Mr. Gaunt and the first officer's testimony, accuses Rowland of attempting to murder Myra and of mutilating her. In court, Myra testifies against Rowland, describing the "deep wounds in her little back" and claiming he "taught her to swear --- horribly." The magistrate, however, recognizes Rowland's heroism and discharges him, revealing to Myra that he saved her child's life. The marriage's legacy is thus transformed: George's death and Rowland's sacrifice lead to a new bond between Myra and Rowland, as she later writes to him, "Myra will not let me rest. She asks for you continually and cries at times. I can bear it no longer. Will you not come and see Myra?" This letter signals a potential reconciliation, as Rowland goes to see Myra, suggesting that the failed marriage has given way to a new possibility of love and healing.
Thematic Significance
The marriage of Myra and George serves as a narrative device to explore themes of love, loss, and redemption. Myra's rejection of Rowland, based on his atheism and drinking, reflects the moral and religious tensions of the era, while George's death in the shipwreck highlights the fragility of human life and the arbitrary nature of fate. The marriage also contrasts with Rowland's unrequited love, which ultimately transforms into a selfless devotion to Myra's child, leading to his moral and spiritual redemption. Through this relationship, Robertson critiques the social conventions that condemn Rowland and celebrates the possibility of personal transformation and forgiveness.